What can verbs do for you?
See how Maggie O'Farrell uses inventive writing to lure readers into a story whose ending we think we already know.
How do you get maximum value from setting and description?
Examples from Tana French's The Searcher show how to give your descriptions additional meaning and resonance.
How do you use dialogue and dialect to reveal character?
Learn how to use word choice, syntax, and dialect in dialogue to create realistic characters with examples from Tana French's The Searcher.
Thanks, But This Isn’t for Us, by Jessica Morrell
Jessica Morell’s exploration of common problems in fiction and how to solve them.
Brian Shawver, The Language of Fiction
If you are a novelist looking to improve your sentences, Brian Shawver’s The Language of Fiction should be on your reading list.
Sin and Syntax, by Constance Hale
How to play with words: lessons from Constance Hale’s Sin and Syntax.
Is alright all right?
Is it “alright” or “all right”? The short answer: it depends. I’ll give you the details, so you can decide what is right for your context.